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SDG

117. Hoe lieflijk, als Jezus de zijnen kan vinden

SDG

1:23	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	2	2	100%
T B		15	0	1	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	0	2	2	100%
T B		15	0	1	2	100%

When peace, like a river, attendeth my way. It is well with my soul. 't zij vreugde mijn deel is, (Joh. de Heer 264)

SDG

1:01	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	1	1	6	100%
Tenor/Bass		14	1	2	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	1	1	6	100%
Tenor/Bass		14	1	2	5	95%

The Angel Gabriel, Basque Carol, Arrangement: Gertim (SDG)

SDG

1:08	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	4	100%
Tenor/Bass		12	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	4	100%
Tenor/Bass		12	0	1	4	100%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Glorify Thy Name. Arrangement: Gertim (SDG)

SDG

2:13	Est. Play Time
48	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

Jesu Hail! O God most holy, by John Stainer.

SDG

2:40	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		17	0	4	4	100%
		15	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		17	0	4	4	100%
		15	0	3	4	100%

24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.

SDG

1:23	Est. Play Time
18	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass	18	5	5	100%
Soprano/Alto	16	3	5	96%
Contrabass	13	3	5	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass	18	5	5	100%
Soprano/Alto	16	3	5	96%
Contrabass	13	3	5	50%

Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.

SDG

2:42	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	0	4	8	100%
Alto	14	0	4	8	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	4	8	100%
Alto	14	4	8	98%
Soprano	16	3	8	98%
Basso	17	5	6	81%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.

SDG

1:02	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

Salve Regina, Josef Rheinberger, WoO 54 Nr. 1

SDG

3:00	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	7	7	100%
Basso	22	0	9	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	7	7	100%
Basso	22	9	7	100%
Soprano	17	6	8	100%
Tenore	15	6	7	100%

Turn your eyes upon Jesus.

SDG

1:13	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	4	5	100%
	15	4	5	100%
Contrabass	11	3	5	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	4	5	100%
	15	4	5	100%
Contrabass	11	3	5	50%

162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.

SDG

1:00	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

The Angel Gabriel, traditional Basque Christmas carol.

SDG

1:08	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	4	100%
Tenor/Bass		12	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	1	4	100%
Tenor/Bass		12	0	1	4	100%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

O, the deep, deep love of Jesus. Liefde was het, onuitputt'lijk', Joh. de Heer 548.)

SDG

1:17	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	9	0	1	5	100%
Manual II	7	0	0	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	9	1	5	100%
Manual II	7	0	5	100%
Pedal	10	1	5	100%
S A	9	1	5	94%
T B	12	1	5	94%

De herdertjes lagen bij nachte. Dutch Christmas song. Doesburg sampleset. Arrangement: Bernard Greenberg (BSG).

SDG

1:18	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh	9	3	2	3	100%
Organ	14	10	3	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
lh	9	3	2	3	100%
Organ	14	10	3	4	100%
Pedal	12	0	2	3	100%
Pedal 16'	12	0	2	3	100%
S A	14	0	3	4	88%
T B	17	0	4	3	88%

146. 't Hoofd omhoog het hart naar boven.

SDG

1:29	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	2	100%
		15	0	2	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	2	100%
		15	0	2	2	100%

Jesus, lover of my soul. Jezus, die mijn ziel bemint, (Joh. de Heer 180)

SDG

1:13	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		8	0	0	4	100%
T B		14	0	2	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		8	0	0	4	100%
T B		14	0	2	4	100%